無人生還/十個印第安小人/孤島奇案/一個都不留 And Then There Were None /Ten Little Indians/Niggers By 阿嘉莎‧克莉絲蒂 Dame Agatha Mary Clarissa Christie
第一章
第一章
- 7月 06 週一 202017:39
53_無人生還/十個印第安小人/孤島奇案/一個都不留 And Then There Were None /Ten Little Indians/Niggers By 阿嘉莎‧克莉絲蒂 Dame Agatha Mary Clarissa Christie
- 7月 05 週日 202014:34
52_瑪波小姐的完結篇 Miss Marple's Final Cases and Two Other Stories By 阿嘉莎‧克莉絲蒂 Dame Agatha Mary Clarissa Christie
瑪波小姐的完結篇 Miss Marple's Final Cases and Two Other Stories By 阿嘉莎‧克莉絲蒂 Dame Agatha Mary Clarissa Christie
一、瑪波小姐的故事
一、瑪波小姐的故事
- 7月 05 週日 202014:34
沉睡謀殺案/死灰復燃/神秘的別墅/死亡不長眠 Sleeping Murder By 阿嘉莎‧克莉絲蒂 Dame Agatha Mary Clarissa Christie
Sleeping Murder By Dame Agatha Mary Clarissa Christie
One
A HOUSE
Gwenda Reed stood, shivering a little, on the quayside.
The docks and the custom sheds and all of England that she could see, were gently waving up and down.
And it was in that moment that she made her decision—the decision that was to lead to such very momentous events.
She wouldn't go by the boat train to London as she had planned.
After all, why should she? No one was waiting for her, nobody expected her. She had only just got off that heaving creaking boat (it had been an exceptionally rough three days through the Bay and up to Plymouth) and the last thing she wanted was to get into a heaving swaying train. She would go to a hotel, a nice firm steady hotel standing on good solid ground. And she would get into a nice steady bed that didn't creak and roll. And she would go to sleep, and the next morning—why, of course—what a splendid idea! She would hire a car and she would drive slowly and without hurrying herself all through the South of England looking about for a house—a nice house—the house that she and Giles had planned she should find. Yes, that was a splendid idea.
In that way she would see something of England—of the England that Giles had told her about and which she had never seen; although, like most New Zealanders, she called it Home. At the moment, England was not looking particularly attractive. It was a grey day with rain imminent and a sharp irritating wind blowing. Plymouth, Gwenda thought, as she moved forward obediently in the queue for Passports and Customs, was probably not the best of England.
On the following morning, however, her feelings were entirely different. The sun was shining. The view from her window was attractive. And the universe in general was no longer waving and wobbling. It had steadied down. This was England at last and here she was, Gwenda Reed, young married woman of twenty-one, on her travels. Giles's return to England was uncertain. He might follow her in a few weeks. It might be as long as six months. His suggestion had been that Gwenda should precede him to England and should look about for a suitable house. They both thought it would be nice to have, somewhere, a permanency. Giles's job would always entail a certain amount of travelling. Sometimes Gwenda would come too, sometimes the conditions would not be suitable. But they both liked the idea of having a home—some place of their own. Giles had inherited some furniture from an aunt recently, so that everything combined to make the idea a sensible and practical one.
Since Gwenda and Giles were reasonably well-off the prospect presented no difficulties.
Gwenda had demurred at first at choosing a house on her own. “We ought to do it together,” she had said. But Giles had said laughingly: “I'm not much of a hand at houses. If you like it, I shall. A bit of a garden, of course, and not some brand-new horror—and not too big. Somewhere on the south coast was my idea. At any rate, not too far inland.”
“Was there any particular place?” Gwenda asked. But Giles said No. He'd been left an orphan young (they were both orphans) and had been passed around to various relations for holidays, and no particular spot had any particular association for him. It was to be Gwenda's house—and as for waiting until they could choose it together, suppose he were held up for six months? What would Gwenda do with herself all that time? Hang about in hotels? No, she was to find a house and get settled in.
“What you mean is,” said Gwenda, “do all the work!”
But she liked the idea of finding a home and having it all ready, cosy and lived in, for when Giles came back.
They had been married just three months and she loved him very much.
After sending for breakfast in bed, Gwenda got up and arranged her plans. She spent a day seeing Plymouth which she enjoyed and on the following day she hired a comfortable Daimler car and chauffeur and set off on her journey through England.
The weather was good and she enjoyed her tour very much. She saw several possible residences in Devonshire but nothing that she felt was exactly right. There was no hurry. She would go on looking. She learned to read between the lines of the house agents' enthusiastic descriptions and saved herself a certain number of fruitless errands.
It was on a Tuesday evening about a week later that the car came gently down the curving hill road into Dillmouth and on the outskirts of that still charming seaside resort, passed a For Sale board where, through the trees, a glimpse of a small white Victorian villa could be seen.
Immediately Gwenda felt a throb of appreciation—almost of recognition. This was her house! Already she was sure of it. She could picture the garden, the long windows—she was sure that the house was just what she wanted.
It was late in the day, so she put up at the Royal Clarence Hotel and went to the house agents whose name she had noted on the board the following morning.
Presently, armed with an order to view, she was standing in the old-fashioned long drawing room with its two french windows giving on to a flagged terrace in front of which a kind of rockery interspersed with flowering shrubs fell sharply to a stretch of lawn below. Through the trees at the bottom of the garden the sea could be seen.
This is my house, thought Gwenda. It's home. I feel already as though I know every bit of it.
The door opened and a tall melancholy woman with a cold in the head entered, sniffing. “Mrs. Hengrave? I have an order from Messrs. Galbraith and Penderley. I'm afraid it's rather early in the day—”
Mrs. Hengrave, blowing her nose, said sadly that that didn't matter at all. The tour of the house began.
Yes, it was just right. Not too large. A bit old-fashioned, but she and Giles could put in another bathroom or two. The kitchen could be modernized. It already had an Aga, fortunately. With a new sink and up-to-date equipment—
Through all Gwenda's plans and preoccupations, the voice of Mrs. Hengrave droned thinly on recounting the details of the late Major Hengrave's last illness. Half of Gwenda attended to making the requisite noises of condolence, sympathy and understanding. Mrs. Hengrave's people all lived in Kent—anxious she should come and settle near them … the Major had been very fond of Dillmouth, secretary for many years of the Golf Club, but she herself….
“Yes … Of course … Dreadful for you … Most natural … Yes, nursing homes are like that … Of course … You must be….”
And the other half of Gwenda raced along in thought: Linen cupboard here, I expect … Yes. Double room—nice view of sea—Giles will like that. Quite a useful little room here—Giles might have it as a dressing room … Bathroom—I expect the bath has a mahogany surround—Oh yes, it has! How lovely—and standing in the middle of th
e floor! I shan't change that—it's a period piece!
Such an enormous bath!
One could have apples on the surround. And sail boats—and painted ducks. You could pretend you were in the sea … I know: we'll make that dark back spare room into a couple of really up-to-date green and chromium bathrooms—the pipes ought to be all right over the kitchen—and keep this just as it is….
“Pleurisy,” said Mrs. Hengrave. “Turning to double pneumonia on the third day—”
“Terrible,” said Gwenda. “Isn't there another bedroom at the end of this passage?”
There was—and it was just the sort of room she had imagined it would be—almost round, with a big bow window. She'd have to do it up, of course. It was in quite good condition, but why were people like Mrs. Hengrave so fond of that mustard-cum-biscuit shade of wall paint?
They retraced their steps along the corridor. Gwenda murmured, conscientiously, “Six, no, seven bedrooms, counting the little one and the attic.”
The boards creaked faintly under her feet. Already she felt that it was she and not Mrs. Hengrave who lived here! Mrs. Hengrave was an interloper—a woman who did up rooms in mustard-cum-biscuit colour and liked a frieze of wisteria in her drawing room. Gwenda glanced down at the typewritten paper in her hand on which the details of the property and the price asked were given.
In the course of a few days Gwenda had become fairly conversant with house values. The sum asked was not large—of course the house needed a certain amount of modernization—but even then … And she noted the words “Open to offer.” Mrs. Hengrave must be very anxious to go to Kent and live near “her people”….
They were starting down the stairs when quite suddenly Gwenda felt a wave of irrational terror sweep over her. It was a sickening sensation, and it passed almost as quickly as it came. Yet it left behind it a new idea.
“The house isn't—haunted, is it?” demanded Gwenda.
Mrs. Hengrave, a step below, and having just got to the moment in her narrative when Major Hengrave was sinking fast, looked up in an affronted manner.
“Not that I am aware of, Mrs. Reed. Why—has anyone—been saying something of the kind?”
“You've never felt or seen anything yourself? Nobody's died here?”
Rather an unfortunate question, she thought, a split second of a moment too late, because presumably Major Hengrave—
“My husband died in the St. Monica's Nursing Home,” said Mrs. Hengrave stiffly.
“Oh, of course. You told me so.”
Mrs. Hengrave continued in the same rather glacial manner: “In a house which was presumably built about a hundred years ago, there would normally be deaths during that period. Miss Elworthy from whom my dear husband acquired this house seven years ago, was in excellent health, and indeed planning to go abroad and do missionary work, and she did not mention any recent demises in her family.”
Gwenda hastened to soothe the melancholy Mrs. Hengrave down. They were now once more in the drawing room. It was a peaceful and charming room, with exactly the kind of atmosphere that Gwenda coveted. Her momentary panic just now seemed quite incomprehensible. What had come over her? There was nothing wrong with the house.
Asking Mrs. Hengrave if she could take a look at the garden, she went out through the french windows onto the terrace.
There should be steps here, thought Gwenda, going down to the lawn.
But instead there was a vast uprising of forsythia which at this particular place seemed to have got above itself and effectually shut out all view of the sea.
Gwenda nodded to herself. She would alter all that.
Following Mrs. Hengrave, she went along the terrace and down some steps at the far side onto the lawn. She noted that the rockery was neglected and overgrown, and that most of the flowering shrubs needed pruning.
Mrs. Hengrave murmured apologetically that the garden had been rather neglected. Only able to afford a man twice a week. And quite often he never turned up.
They inspected the small but adequate kitchen garden and returned to the house. Gwenda explained that she had other houses to see, and that though she liked Hillside (what a commonplace name!) very much, she could not decide immediately.
Mrs. Hengrave parted from her with a somewhat wistful look and a last long lingering sniff.
Gwenda returned to the agents, made a firm offer subject to surveyor's report and spent the rest of the morning walking round Dillmouth. It was a charming and old-fashioned little seaside town. At the far, “modern” end, there were a couple of new-looking hotels and some raw-looking bungalows, but the geographical formation of the coast with the hills behind had saved Dillmouth from undue expansion.
After lunch Gwenda received a telephone call from the agents saying that Mrs. Hengrave accepted her offer. With a mischievous smile on her lips Gwenda made her way to the post office and despatched a cable to Giles.
Have bought a house. Love. Gwenda.
“That'll tickle him up,” said Gwenda to herself. “Show him that the grass doesn't grow under my feet!”
Two
WALLPAPER
I
A month had passed and Gwenda had moved into Hillside. Giles's aunt's furniture had come out of store and was arranged round the house. It was good quality old-fashioned stuff. One or two over-large wardrobes Gwenda had sold, but the rest fitted in nicely and was in harmony with the house. There were small gay papiermâché tables in the drawing room, inlaid with mother-of-pearl and painted with castles and roses. There was a prim little worktable with a gathered sack underneath of pure silk, there was a rosewood bureau and a mahogany sofa table.
The so-called easy chairs Gwenda had relegated to various bedrooms and had bought two large squashy wells of comfort for herself and Giles to stand each side of the fireplace. The large chesterfield sofa was placed near the windows. For curtains Gwenda had chosen old-fashioned chintz of pale eggshell blue with prim urns of roses and yellow birds on them. The room, she now considered, was exactly right.
She was hardly settled yet, since she had workmen in the house still. They should have been out by now, but Gwenda rightly estimated that until she herself came into residence, they would not go.
The kitchen alterations were finished, the new bathrooms nearly so. For further decorating Gwenda was going to wait a while. She wanted time to savour her new home and decide on the exact colour schemes she wanted for the bedrooms. The house was really in very good order and there was no need to do everything at once.
In the kitchen a Mrs. Cocker was now installed, a lady of condescending graciousness, inclined to repulse Gwenda's over-democratic friendliness, but who, once Gwenda had been satisfactorily put in her place, was willing to unbend.
On this particular morning, Mrs. Cocker deposited a breakfast tray on Gwenda's knees, as she sat up in bed.
“When there's no gentleman in the house,” Mrs. Cocker affirmed, “a lady prefers her breakfast in bed.” And Gwenda had bowed to this supposedly English enactment.
“Scrambled this morning,” Mrs. Cocker observed, referring to the eggs. “You said something about finnan haddock, but you wouldn't like it in the bedroom. It leaves a smell. I'm giving it to you for your supper, creamed on toast.”
“Oh, thank you, Mrs. Cocker.”
Mrs. Cocker smiled graciously and prepared to withdraw.
Gwenda was not occupying the big double bedroom. That could wait until Giles returned. She had chosen instead the end room, the one with the rounded walls and the bow window. She felt thoroughly at home in it and happy.
Looking round her now, she exclaimed impulsively: “I do like this room.”
Mrs. Cocker looked round indulgently.
“It is quaite a naice room, madam, though small. By the bars on the window I should say it had been the nursery at one time.”
“I never thought of that. Perhaps it has.”
“Ah, well,” said Mrs. Cocker, with implication in her voice, and w
ithdrew.
“Once we have a gentleman in the house,” she seemed to be saying, “who knows? A nursery may be needed.”
Gwenda blushed. She looked round the room. A nursery? Yes, it would be a nice nursery. She began furnishing it in her mind. A big dolls' house there against the wall. And low cupboards with toys in them. A fire burning cheerfully in the grate and a tall guard round it with things airing on the rail. But not this hideous mustard wall. No, she would have a gay wallpaper. Something bright and cheerful. Little bunches of poppies alternating with bunches of cornflowers … Yes, that would be lovely. She'd try and find a wallpaper like that. She felt sure she had seen one somewhere.
One didn't need much furniture in the room. There were two built-in cupboards, but one of them, a corner one, was locked and the key lost. Indeed the whole thing had been painted over, so that it could not have been opened for many years. She must get the men to open it up before they left. As it was, she hadn't got room for all her clothes.
She felt more at home every day in Hillside. Hearing a throat being ponderously cleared and a short dry cough through the open window, she hurried over her breakfast. Foster, the temperamental jobbing gardener, who was not always reliable in his promises, must be here today as he had said he would be.
Gwenda bathed, dressed, put on a tweed skirt and a sweater and hurried out into the garden. Foster was at work outside the drawing room window. Gwenda's first action had been to get a path made down through the rockery at this point. Foster had been recalcitrant, pointing out that the forsythia would have to go and the weigela, and them there lilacs, but Gwenda had been adamant, and he was now almost enthusiastic about his task.
He greeted her with a chuckle.
“Looks like you're going back to old times, miss.” (He persisted in calling Gwenda “miss.”)
“Old times? How?”
Foster tapped with his spade.
“I come on the old steps—see, that's where they went—just as you want 'em now. Then someone planted them over and covered them up.”
“It was very stupid of them,” said Gwenda. “You want a vista down to the lawn and the sea from the drawing room window.”
Foster was somewhat hazy about a vista—but he gave a cautious and grudging assent.
“I don't say, mind you, that it won't be an improvement … Gives you a view—and them shrubs made it dark in the drawing room. Still they was growing a treat—never seen a healthier lot of forsythia. Lilacs isn't much, but them wiglers costs money—and mind you—they're too old to replant.”
“Oh, I know. But this is much, much nicer.”
“Well.” Foster scratched his head. “Maybe it is.”
“It's right,” said Gwenda, nodding her head. She asked suddenly, “Who lived here before the Hengraves? They weren't here very long, were they?”
“Matter of six years or so. Didn't belong. Afore them? The Miss Elworthys. Very churchy folk. Low church. Missions to the heathen. Once had a black clergyman staying here, they did. Four of 'em there was, and their brother—but he didn't get much of a look-in with all those women. Before them—now let me see, it was Mrs. Findeyson—ah! she was the real gentry, she was. She belonged. Was living here afore I was born.”
“Did she die here?” asked Gwenda.
“Died out in Egypt or some such place. But they brought her home. She's buried up to churchyard. She planted that magnolia and those labiurnams. And those pittispores. Fond of shrubs, she was.”
Foster continued: “Weren't none of those new houses built up along the hill then. Countrified, it was. No cinema then. And none of them new shops. Or that there parade on the front!” His tone held the disapproval of the aged for all innovations. “Changes,” he said with a snort. “Nothing but changes.”
“I suppose things are bound to change,” said Gwenda. “And after all there are lots of improvements nowadays, aren't there?”
“So they say. I ain't noticed them. Changes!” He gestured towards the macrocarpa hedge on the left through which the gleam of a building showed. “Used to be the cottage hospital, that used,” he said. “Nice place and handy. Then they goes and builds a great place near to a mile out of town. Twenty minutes' walk if you want to get there on a visiting day—or threepence on the bus.” He gestured once more towards the hedge … “It's a girls' school now. Moved in ten years ago. Changes all the time. People takes a house nowadays and lives in it ten or twelve years and then off they goes. Restless. What's the good of that? You can't do any proper planting unless you can look well ahead.”
Gwenda looked affectionately at the magnolia.
“Like Mrs. Findeyson,” she said.
“Ah. She was the proper kind. Come here as a bride, she did. Brought up her children and married them, buried her husband, had her grandchildren down in the summers, and took off in the end when she was nigh on eighty.”
Foster's tone held warm approval.
Gwenda went back into the house smiling a little.
She interviewed the workmen, and then returned to the drawing room where she sat down at the desk and wrote some letters. Amongst the correspondence that remained to be answered was a letter from some cousins of Giles who lived in London. Anytime she wanted to come to London they begged her to come and stay with them at their house in Chelsea.
Raymond West was a well-known (rather than popular) novelist and his wife Joan, Gwenda knew, was a painter. It would be fun to go and stay with them, though probably they would think she was a most terrible Philistine. Neither Giles nor I are a bit highbrow, reflected Gwenda.
A sonorous gong boomed pontifically from the hall. Surrounded by a great deal of carved and tortured black wood, the gong had been one of Giles's aunt's prized possessions. Mrs. Cocker herself appeared to derive distinct pleasure from sounding it and always gave full measure. Gwenda put her hands to her ears and got up.
She walked quickly across the drawing room to the wall by the far window and then brought herself up short with an exclamation of annoyance. It was the third time she'd done that. She always seemed to expect to be able to walk through solid wall into the dining room next door.
She went back across the room and out into the front hall and then round the angle of the drawing room wall and so along to the dining room. It was a long way round, and it would be annoying in winter, for the front hall was draughty and the only central heating was in the drawing room and dining room and two bedrooms upstairs.
I don't see, thought Gwenda to herself as she sat down at the charming Sheration dining table which she had just bought at vast expense in lieu of Aunt Lavender's massive square mahogany one, I don't see why I shouldn't have a doorway made through from the drawing room to the dining room. I'll talk to Mr. Sims about it when he comes this afternoon.
Mr. Sims was the builder and decorator, a persuasive middle-aged man with a husky voice and a little notebook which he always held at the ready, to jot down any expensive idea that might occur to his patrons.
Mr. Sims, when consulted, was keenly appreciative.
“Simplest thing in the world, Mrs. Reed—and a great improvement, if I may say so.”
“Would it be very expensive?” Gwenda was by now a little doubtful of Mr. Sims's assents and enthusiasms. There had been a little unpleasantness over various extras not included in Mr. Sims's original estimate.
“A mere trifle,” said Mr. Sims, his husky voice indulgent and reassuring. Gwenda looked more doubtful than ever. It was Mr. Sims's trifles that she had learnt to distrust. His straightforward estimates were studiously moderate.
“I'll tell you what, Mrs. Reed,” said Mr. Sims coaxingly, “I'll get Taylor to have a look when he's finished with the dressing room this afternoon, and then I can give you an exact idea. Depends what the wall's like.”
Gwenda assented. She wrote to Joan West thanking her for her invitation, but saying that she would not be leaving Dillmouth at present since she wanted to keep an eye on the workmen. Then she went out for a walk along the front and enjoyed the sea breeze. She came back into the drawing room, and Taylor, Mr. Sims's leading workman, straightened up from the corner and greeted her with a grin.
“Won't be no difficulty about this, Mrs. Reed,” he said. “Been a door here before, there has. Somebody as didn't want it has just had it plastered over.”
Gwenda was agreeably surprised. How extraordinary, she thought, that I've always seemed to feel there was a door there. She remembered the confident way she had walked to it at lunchtime. And remembering it, quite suddenly, she felt a tiny shiver of uneasiness. When you came to think of it, it was really rather odd … Why should she have felt so sure that there was a door there? There was no sign of it on the outside wall. How had she guessed—known—that there was a door just there? Of course it would be convenient to have a door through to the dining room, but why had she always gone so unerringly to that one particular spot? Anywhere on the dividing wall would have done equally well, but she had always gone automatically, thinking of other things, to the one place where a door had actually been.
I hope, thought Gwenda uneasily, that I'm not clairvoyant or anything….
There had never been anything in the least psychic about her. She wasn't that kind of person. Or was she? That path outside from the terrace down through the shrubbery to the lawn. Had she in some way known it was there when she was so insistent on having it made in that particular place?
Perhaps I am a bit psychic, thought Gwenda uneasily. Or is it something to do with the house?
Why had she asked Mrs. Hengrave that day if the house was haunted?
> It wasn't haunted! It was a darling house! There couldn't be anything wrong with the house. Why, Mrs. Hengrave had seemed quite surprised by the idea.
Or had there been a trace of reserve, of wariness, in her manner?
Good Heavens, I'm beginning to imagine things, thought Gwenda.
She brought her mind back with an effort to her discussion with Taylor.
“There's one other thing,” she added. “One of the cupboards in my room upstairs is stuck. I want to get it opened.”
The man came up with her and examined the door.
“It's been painted over more than once,” he said. “I'll get the men to get it open for you tomorrow if that will do.”
Gwenda acquiesced and Taylor went away.
That evening Gwenda felt jumpy and nervous. Sitting in the drawing room and trying to read, she was aware of every creak of the furniture. Once or twice she looked over her shoulder and shivered. She told herself repeatedly that there was nothing in the incident of the door and the path. They were just coincidences. In any case they were the result of plain common sense.
Without admitting it to herself, she felt nervous of going up to bed. When she finally got up and turned off the lights and opened the door into the hall, she found herself dreading to go up the stairs. She almost ran up them in her haste, hurried along the passage and opened the door of her room. Once inside she at once felt her fears calmed and appeased. She looked round the room affectionately. She felt safe in here, safe and happy. Yes, now she was here, she was safe. (Safe from what, you idiot? she asked herself.) She looked at her pyjamas spread out on the bed and her bedroom slippers below them.
Really, Gwenda, you might be six years old! You ought to have bunny shoes, with rabbits on them.
She got into bed with a sense of relief and was soon asleep.
The next morning she had various matters to see to in the town. When she came back it was lunchtime.
“The men have got the cupboard open in your bedroom, madam,” said Mrs. Cocker as she brought in the delicately fried sole, the mashed potatoes and the creamed carrots.
“Oh good,” said Gwenda.
She was hungry and enjoyed her lunch. After having coffee in the drawing room, she went upstairs to her bedroom. Crossing the room she pulled open the door of the corner cupboard.
Then she uttered a sudden frightened little cry and stood staring.
The inside of the cupboard revealed the original papering of the wall, which elsewhere had been done over in the yellowish wall paint. The room had once been gaily papered in a floral design, a design of little bunches of scarlet poppies alternating with bunches of blue cornflowers….
II
Gwenda stood there staring a long time, then she went shakily over to the bed and sat down on it.
Here she was in a house she had never been in before, in a country she had never visited—and only two days ago she had lain in bed imagining a paper for this very room—and the paper she had imagined corresponded exactly with the paper that had once hung on the walls.
Wild fragments of explanation whirled round in her head. Dunne, Experiment with Time—seeing forward instead of back….
She could explain the garden path and the connecting door as coincidence—but there couldn't be coincidence about this. You couldn't conceivably imagine a wallpaper of such a distinctive design and then find one exactly as you had imagined it … No, there was some explanation that eluded her and that—yes, frightened her. Every now and then she was seeing, not forward, but back—back to some former state of the house. Any moment she might see something more—something she didn't want to see … The house frightened her … But was it the house or herself? She didn't want to be one of those people who saw things….
She drew a long breath, put on her hat and coat and slipped quickly out of the house. At the post office she sent the following telegram:
West, 19 Addway Square Chelsea London. May I change my mind and come to you tomorrow Gwenda.
She sent it reply paid.
Three
“COVER HER FACE …”
Raymond West and his wife did all they could to make young Giles's wife feel welcome. It was not their fault that Gwenda found them secretly rather alarming. Raymond, with his odd appearance, rather like a pouncing raven, his sweep of hair and his sudden crescendos of quite incomprehensible conversation, left Gwenda round-eyed and nervous. Both he and Joan seemed to talk a language of their own. Gwenda had never been plunged in a highbrow atmosphere before and practically all its terms were strange.
“We've planned to take you to a show or two,” said Raymond whilst Gwenda was drinking gin and rather wishing she could have had a cup of tea after her journey.
Gwenda brightened up immediately.
“The Ballet tonight at Sadler's Wells, and tomorrow we've got a birthday party on for my quite incredible Aunt Jane—the Duchess of Malfi with Gielgud, and on Friday you simply must see They Walked without Feet. Translated from the Russian—absolutely the most significent piece of drama for the last twenty years. It's at the little Witmore Theatre.”
Gwenda expressed herself grateful for these plans for her entertainment. After all, when Giles came home, they would go together to the musical shows and all that. She flinched slightly at the prospect of They Walked without Feet, but supposed she might enjoy it—only the point about “significant” plays was that you usually didn't.
“You'll adore my Aunt Jane,” said Raymond. “She's what I should describe as a perfect Period Piece. Victorian to the core. All her dressing tables have their legs swathed in chintz. She lives in a village, the kind of village where nothing ever happens, exactly like a stagnant pond.”
“Something did happen there once,” his wife said drily.
“A mere drama of passion—crude—no subtlety to it.”
“You enjoyed it frightfully at the time,” Joan reminded him with a slight twinkle.
“I sometimes enjoy playing village cricket,” said Raymond, with dignity.
“Anyway, Aunt Jane distinguished herself over that murder.”
“Oh, she's no fool. She adores problems.”
“Problems?” said Gwenda, her mind flying to arithmetic.
Raymond waved a hand.
“Any kind of problem. Why the grocer's wife took her umbrella to the church social on a fine evening. Why a gill of pickled shrimps was found where it was. What happened to the Vicar's surplice. All grist to my Aunt Jane's mill. So if you've any problem in your life, put it to her, Gwenda. She'll tell you the answer.”
He laughed and Gwenda laughed too, but not very heartily. She was introduced to Aunt Jane, otherwise Miss Marple, on the following day. Miss Marple was an attractive old lady, tall and thin, with pink cheeks and blue eyes, and a gentle, rather fussy manner. Her blue eyes often had a little twinkle in them.
After an early dinner at which they drank Aunt Jane's health, they all went off to His Majesty's Theatre. Two extra men, an elderly artist and a young barrister were in the party. The elderly artist devoted himself to Gwenda and the young barrister divided his attentions between Joan and Miss Marple whose remarks he seemed to enjoy very much. At the theatre, however, this arrangement was reversed. Gwenda sat in the middle of the row between Raymond and the barrister.
The lights went down and the play began.
It was superbly acted and Gwenda enjoyed it very much. She had not seen very many first-rate theatrical productions.
The play drew to a close, came to that supreme moment of horror. The actor's voice came over the footlights filled with the tragedy of a warped and perverted mentality.
“Cover her face. Mine eyes dazzle, she died young….”
Gwenda screamed.
She sprang up from her seat, pushed blindly past the others out into the aisle, through the exit and up the stairs and so to the street. She did not stop, even then, but half walked, half ran, in a blind panic up the Haymarket.
/> It was not until she had reached Piccadilly that she noticed a free taxi cruising along, hailed it and, getting in, gave the address of the Chelsea house. With fumbling fingers she got out money, paid the taxi and went up the steps. The servant who let her in glanced at her in surprise.
“You've come back early, miss. Didn't you feel well?”
“I—no, yes—I—I felt faint.”
“Would you like anything, miss? Some brandy?”
“No, nothing. I'll go straight up to bed.”
She ran up the stairs to avoid further questions.
She pulled off her clothes, left them on the floor in a heap and got into bed. She lay there shivering, her heart pounding, her eyes staring at the ceiling.
She did not hear the sound of fresh arrivals downstairs, but after about five minutes the door opened and Miss Marple came in. She had two hot-water bottles tucked under her arm and a cup in her hand.
Gwenda sat up in bed, trying to stop her shivering.
“Oh, Miss Marple, I'm frightfully sorry. I don't know what—it was awful of me. Are they very annoyed with me?”
“Now don't worry, my dear child,” said Miss Marple. “Just tuck yourself up warmly with these hot-water bottles.”
“I don't really need a hot-water bottle.”
“Oh yes, you do. That's right. And now drink this cup of tea….”
It was hot and strong and far too full of sugar, but Gwenda drank it obediently. The shivering was less acute now.
“Just lie down now and go to sleep,” said Miss Marple. “You've had a shock, you know. We'll talk about it in the morning. Don't worry about anything. Just go to sleep.”
She drew the covers up, smiled, patted Gwenda and went out.
Downstairs Raymond was saying irritably to Joan: “What on earth was the matter with the girl? Did she feel ill, or what?”
“My dear Raymond, I don't know, she just screamed! I suppose the play was a bit too macabre for her.”
“Well, of course Webster is a bit grisly. But I shouldn't have thought—” He broke off as Miss Marple came into the room. “Is she all right?”
“Yes, I think so. She'd had a bad shock, you know.”
“Shock? Just seeing a Jacobean drama?”
“I think there must be a little more to it than that,” said Miss Marple thoughtfully.
Gwenda's breakfast was sent up to her. She drank some coffee and nibbled a little piece of toast. When she got up and came downstairs, Joan had gone to her studio, Raymond was shut up in his workroom and only Miss Marple was sitting by the window, which had a view over the river; she was busily engaged in knitting.
She looked up with a placid smile as Gwenda entered.
“Good morning, my dear. You're feeling better, I hope.”
“Oh yes, I'm quite all right. How I could make such an utter idiot of myself last night, I don't know. Are they—are they very mad with me?”
“Oh no, my dear. They quite understand.”
“Understand what?”
Miss Marple glanced up over her knitting.
“That you had a bad shock last night.” She added gently: “Hadn't you better tell me all about it?”
Gwenda walked restlessly up and down.
“I think I'd better go and see a psychiatrist or someone.”
“There are excellent mental specialists in London, of course. But are you sure it is necessary?”
“Well—I think I'm going mad … I must be going mad.”
An elderly parlourmaid entered the room with a telegram on a salver which she handed to Gwenda.
“The boy wants to know if there's an answer, ma'am?”
Gwenda tore it open. It had been retelegraphed on from Dillmouth. She stared at it for a moment or two uncomprehendingly, then screwed it into a ball.
“There's no answer,” she said mechanically.
The maid left the room.
“Not bad news, I hope, dear?”
“It's Giles—my husband. He's flying home. He'll be here in a week.”
Her voice was bewildered and miserable. Miss Marple gave a gentle little cough.
“Well—surely—that is very nice, isn't it?”
“Is it? When I'm not sure if I'm mad or not? If I'm mad I ought never to have married Giles. And the house and everything. I can't go back there. Oh, I don't know what to do.”
Miss Marple patted the sofa invitingly.
“Now suppose you sit down here, dear, and just tell me all about it.”
It was with a sense of relief that Gwenda accepted the invitation. She poured out the whole story, starting with her first view of Hillside and going onto the incidents that had first puzzled her and then worried her.
“And so I got rather frightened,” she ended. “And I thought I'd come up to London—get away from it all. Only, you see, I couldn't get away from it. It followed me. Last night—” she shut her eyes and gulped reminiscently.
“Last night?” prompted Miss Marple.
“I dare say you won't believe this,” said Gwenda, speaking very fast. “You'll think I'm hysterical or queer or something. It happened quite suddenly, right at the end. I'd enjoyed the play. I'd never thought once of the house. And then it came—out of the blue—when he said those words—”
She repeated in a low quivering voice: “Cover her face, mine eyes dazzle, she died young.
“I was back there—on the stairs, looking down on the hall through the banisters, and I saw her lying there. Sprawled out—dead. Her hair all golden and her face all—all blue! She was dead, strangled, and someone was saying those words in that same horrible gloating way—and I saw his hands—grey, wrinkled—not hands—monkey's paws … It was horrible, I tell you. She was dead….”
Miss Marple asked gently: “Who was dead?”
The answer came back quick and mechanical.
“Helen….”
Four
HELEN?
For a moment Gwenda stared at Miss Marple, then she pushed back the hair from her forehead.
“Why did I say that?” she said. “Why did I say Helen? I don't know any Helen!”
She dropped her hands with a gesture of despair.
“You see,” she said, “I'm mad! I imagine things! I go about seeing things that aren't there. First it was only wallpapers—but now it's dead bodies. So I'm getting worse.”
“Now don't rush to conclusions, my dear—”
“Or else it's the house. The house is haunted—or bewitched or something … I see things that have happened there—or else I see things that are going to happen there—and that would be worse. Perhaps a woman called Helen is going to be murdered there … Only I don't see if it's the house that's haunted why I should see these awful things when I am away from it. So I think really that it must be me that's going queer. And I'd better go and see a psychiatrist at once—this morning.”
“Well, of course, Gwenda dear, you can always do that when you've exhausted every other line of approach, but I always think myself that it's better to examine the simplest and most commonplace explanations first. Let me get the facts quite clear. There were three definite incidents that upset you. A path in the garden that had been planted over but that you felt was there, a door that had been bricked up, and a wallpaper which you imagined correctly and in detail without having seen it? Am I right?”
“Yes.”
“Well, the easiest, the most natural explanation would be that you had seen them before.”
“In another life, you mean?”
“Well no, dear. I meant in this life. I mean that they might be actual memories.”
“But I've never been in England until a month ago, Miss Marple.”
“You are quite sure of that, my dear?”
“Of course I'm sure. I've lived near Christchurch in New Zealand all my life.”
“Were you born there?”
“No, I was born in India. My father was a British Army officer. My mother died a year or two after I was born and he sent me back to her people in New Zealand to bring up. Then he himself died a few years later.”
“You don't remember coming from India to New Zealand?”
“Not really. I do remember, frightfully vaguely, being on a boat. A round window thing—a porthole, I suppose. And a man in white uniform with a red face and blue eyes, and a mark on his chin—a scar, I suppose. He used to toss me up in the air and I remember being half frightened and half loving it. But it's all very fragmentary.”
“Do you remember a nurse—or an ayah?”
“Not an ayah—Nannie. I remember Nannie because she stayed for some time—until I was five years old. She cut ducks out of paper. Yes, she was on the boat. She scolded me when I cried because the Captain kissed me and I didn't like his beard.”
“Now that's very interesting, dear, because you see you are mixing up two different voyages. In one, the Captain had a beard and in the other he had a red face and a scar on his chin.”
“Yes,” Gwenda considered, “I suppose I must be.”
“It seems possible to me,” said Miss Marple, “that when your mother died, your father brought you to England with him first, and that you actually lived at this house, Hillside. You've told me, you know, that the house felt like home to you as soon as you got inside it. And that room you chose to sleep in, it was probably your nursery—”
“It was a nursery. There were bars on the windows.”
“You see? It had this pretty gay paper of cornflowers and poppies. Children remember their nursery walls very well. I've always remembered the mauve irises on my nursery walls and yet I believe it was repapered when I was only three.”
“And that's why I thought at once of the toys, the dolls' house and the toy cupboards?”
“Yes. And the bathroom. The bath with the mahogany surround. You told me that you thought of sailing ducks in it as soon as you saw it.”
Gwenda said thoughtfully. “It's true that I seemed to know right away just where everything was—the kitchen and the linen cupboard. And tha
t I kept thinking there was a door through from the drawing room to the dining room. But surely it's quite impossible that I should come to England and actually buy the identical house I'd lived in long ago?”
“It's not impossible, my dear. It's just a very remarkable coincidence—and remarkable coincidences do happen. Your husband wanted a house on the south coast, you were looking for one, and you passed a house that stirred memories, and attracted you. It was the right size and a reasonable price and so you bought it. No, it's not too wildly improbable. Had the house been merely what is called (perhaps rightly) a haunted house, you would have reacted differently, I think. But you had no feeling of violence or repulsion except, so you have told me, at one very definite moment, and that was when you were just starting to come down the staircase and looking down into the hall.”
One
A HOUSE
Gwenda Reed stood, shivering a little, on the quayside.
The docks and the custom sheds and all of England that she could see, were gently waving up and down.
And it was in that moment that she made her decision—the decision that was to lead to such very momentous events.
She wouldn't go by the boat train to London as she had planned.
After all, why should she? No one was waiting for her, nobody expected her. She had only just got off that heaving creaking boat (it had been an exceptionally rough three days through the Bay and up to Plymouth) and the last thing she wanted was to get into a heaving swaying train. She would go to a hotel, a nice firm steady hotel standing on good solid ground. And she would get into a nice steady bed that didn't creak and roll. And she would go to sleep, and the next morning—why, of course—what a splendid idea! She would hire a car and she would drive slowly and without hurrying herself all through the South of England looking about for a house—a nice house—the house that she and Giles had planned she should find. Yes, that was a splendid idea.
In that way she would see something of England—of the England that Giles had told her about and which she had never seen; although, like most New Zealanders, she called it Home. At the moment, England was not looking particularly attractive. It was a grey day with rain imminent and a sharp irritating wind blowing. Plymouth, Gwenda thought, as she moved forward obediently in the queue for Passports and Customs, was probably not the best of England.
On the following morning, however, her feelings were entirely different. The sun was shining. The view from her window was attractive. And the universe in general was no longer waving and wobbling. It had steadied down. This was England at last and here she was, Gwenda Reed, young married woman of twenty-one, on her travels. Giles's return to England was uncertain. He might follow her in a few weeks. It might be as long as six months. His suggestion had been that Gwenda should precede him to England and should look about for a suitable house. They both thought it would be nice to have, somewhere, a permanency. Giles's job would always entail a certain amount of travelling. Sometimes Gwenda would come too, sometimes the conditions would not be suitable. But they both liked the idea of having a home—some place of their own. Giles had inherited some furniture from an aunt recently, so that everything combined to make the idea a sensible and practical one.
Since Gwenda and Giles were reasonably well-off the prospect presented no difficulties.
Gwenda had demurred at first at choosing a house on her own. “We ought to do it together,” she had said. But Giles had said laughingly: “I'm not much of a hand at houses. If you like it, I shall. A bit of a garden, of course, and not some brand-new horror—and not too big. Somewhere on the south coast was my idea. At any rate, not too far inland.”
“Was there any particular place?” Gwenda asked. But Giles said No. He'd been left an orphan young (they were both orphans) and had been passed around to various relations for holidays, and no particular spot had any particular association for him. It was to be Gwenda's house—and as for waiting until they could choose it together, suppose he were held up for six months? What would Gwenda do with herself all that time? Hang about in hotels? No, she was to find a house and get settled in.
“What you mean is,” said Gwenda, “do all the work!”
But she liked the idea of finding a home and having it all ready, cosy and lived in, for when Giles came back.
They had been married just three months and she loved him very much.
After sending for breakfast in bed, Gwenda got up and arranged her plans. She spent a day seeing Plymouth which she enjoyed and on the following day she hired a comfortable Daimler car and chauffeur and set off on her journey through England.
The weather was good and she enjoyed her tour very much. She saw several possible residences in Devonshire but nothing that she felt was exactly right. There was no hurry. She would go on looking. She learned to read between the lines of the house agents' enthusiastic descriptions and saved herself a certain number of fruitless errands.
It was on a Tuesday evening about a week later that the car came gently down the curving hill road into Dillmouth and on the outskirts of that still charming seaside resort, passed a For Sale board where, through the trees, a glimpse of a small white Victorian villa could be seen.
Immediately Gwenda felt a throb of appreciation—almost of recognition. This was her house! Already she was sure of it. She could picture the garden, the long windows—she was sure that the house was just what she wanted.
It was late in the day, so she put up at the Royal Clarence Hotel and went to the house agents whose name she had noted on the board the following morning.
Presently, armed with an order to view, she was standing in the old-fashioned long drawing room with its two french windows giving on to a flagged terrace in front of which a kind of rockery interspersed with flowering shrubs fell sharply to a stretch of lawn below. Through the trees at the bottom of the garden the sea could be seen.
This is my house, thought Gwenda. It's home. I feel already as though I know every bit of it.
The door opened and a tall melancholy woman with a cold in the head entered, sniffing. “Mrs. Hengrave? I have an order from Messrs. Galbraith and Penderley. I'm afraid it's rather early in the day—”
Mrs. Hengrave, blowing her nose, said sadly that that didn't matter at all. The tour of the house began.
Yes, it was just right. Not too large. A bit old-fashioned, but she and Giles could put in another bathroom or two. The kitchen could be modernized. It already had an Aga, fortunately. With a new sink and up-to-date equipment—
Through all Gwenda's plans and preoccupations, the voice of Mrs. Hengrave droned thinly on recounting the details of the late Major Hengrave's last illness. Half of Gwenda attended to making the requisite noises of condolence, sympathy and understanding. Mrs. Hengrave's people all lived in Kent—anxious she should come and settle near them … the Major had been very fond of Dillmouth, secretary for many years of the Golf Club, but she herself….
“Yes … Of course … Dreadful for you … Most natural … Yes, nursing homes are like that … Of course … You must be….”
And the other half of Gwenda raced along in thought: Linen cupboard here, I expect … Yes. Double room—nice view of sea—Giles will like that. Quite a useful little room here—Giles might have it as a dressing room … Bathroom—I expect the bath has a mahogany surround—Oh yes, it has! How lovely—and standing in the middle of th
e floor! I shan't change that—it's a period piece!
Such an enormous bath!
One could have apples on the surround. And sail boats—and painted ducks. You could pretend you were in the sea … I know: we'll make that dark back spare room into a couple of really up-to-date green and chromium bathrooms—the pipes ought to be all right over the kitchen—and keep this just as it is….
“Pleurisy,” said Mrs. Hengrave. “Turning to double pneumonia on the third day—”
“Terrible,” said Gwenda. “Isn't there another bedroom at the end of this passage?”
There was—and it was just the sort of room she had imagined it would be—almost round, with a big bow window. She'd have to do it up, of course. It was in quite good condition, but why were people like Mrs. Hengrave so fond of that mustard-cum-biscuit shade of wall paint?
They retraced their steps along the corridor. Gwenda murmured, conscientiously, “Six, no, seven bedrooms, counting the little one and the attic.”
The boards creaked faintly under her feet. Already she felt that it was she and not Mrs. Hengrave who lived here! Mrs. Hengrave was an interloper—a woman who did up rooms in mustard-cum-biscuit colour and liked a frieze of wisteria in her drawing room. Gwenda glanced down at the typewritten paper in her hand on which the details of the property and the price asked were given.
In the course of a few days Gwenda had become fairly conversant with house values. The sum asked was not large—of course the house needed a certain amount of modernization—but even then … And she noted the words “Open to offer.” Mrs. Hengrave must be very anxious to go to Kent and live near “her people”….
They were starting down the stairs when quite suddenly Gwenda felt a wave of irrational terror sweep over her. It was a sickening sensation, and it passed almost as quickly as it came. Yet it left behind it a new idea.
“The house isn't—haunted, is it?” demanded Gwenda.
Mrs. Hengrave, a step below, and having just got to the moment in her narrative when Major Hengrave was sinking fast, looked up in an affronted manner.
“Not that I am aware of, Mrs. Reed. Why—has anyone—been saying something of the kind?”
“You've never felt or seen anything yourself? Nobody's died here?”
Rather an unfortunate question, she thought, a split second of a moment too late, because presumably Major Hengrave—
“My husband died in the St. Monica's Nursing Home,” said Mrs. Hengrave stiffly.
“Oh, of course. You told me so.”
Mrs. Hengrave continued in the same rather glacial manner: “In a house which was presumably built about a hundred years ago, there would normally be deaths during that period. Miss Elworthy from whom my dear husband acquired this house seven years ago, was in excellent health, and indeed planning to go abroad and do missionary work, and she did not mention any recent demises in her family.”
Gwenda hastened to soothe the melancholy Mrs. Hengrave down. They were now once more in the drawing room. It was a peaceful and charming room, with exactly the kind of atmosphere that Gwenda coveted. Her momentary panic just now seemed quite incomprehensible. What had come over her? There was nothing wrong with the house.
Asking Mrs. Hengrave if she could take a look at the garden, she went out through the french windows onto the terrace.
There should be steps here, thought Gwenda, going down to the lawn.
But instead there was a vast uprising of forsythia which at this particular place seemed to have got above itself and effectually shut out all view of the sea.
Gwenda nodded to herself. She would alter all that.
Following Mrs. Hengrave, she went along the terrace and down some steps at the far side onto the lawn. She noted that the rockery was neglected and overgrown, and that most of the flowering shrubs needed pruning.
Mrs. Hengrave murmured apologetically that the garden had been rather neglected. Only able to afford a man twice a week. And quite often he never turned up.
They inspected the small but adequate kitchen garden and returned to the house. Gwenda explained that she had other houses to see, and that though she liked Hillside (what a commonplace name!) very much, she could not decide immediately.
Mrs. Hengrave parted from her with a somewhat wistful look and a last long lingering sniff.
Gwenda returned to the agents, made a firm offer subject to surveyor's report and spent the rest of the morning walking round Dillmouth. It was a charming and old-fashioned little seaside town. At the far, “modern” end, there were a couple of new-looking hotels and some raw-looking bungalows, but the geographical formation of the coast with the hills behind had saved Dillmouth from undue expansion.
After lunch Gwenda received a telephone call from the agents saying that Mrs. Hengrave accepted her offer. With a mischievous smile on her lips Gwenda made her way to the post office and despatched a cable to Giles.
Have bought a house. Love. Gwenda.
“That'll tickle him up,” said Gwenda to herself. “Show him that the grass doesn't grow under my feet!”
Two
WALLPAPER
I
A month had passed and Gwenda had moved into Hillside. Giles's aunt's furniture had come out of store and was arranged round the house. It was good quality old-fashioned stuff. One or two over-large wardrobes Gwenda had sold, but the rest fitted in nicely and was in harmony with the house. There were small gay papiermâché tables in the drawing room, inlaid with mother-of-pearl and painted with castles and roses. There was a prim little worktable with a gathered sack underneath of pure silk, there was a rosewood bureau and a mahogany sofa table.
The so-called easy chairs Gwenda had relegated to various bedrooms and had bought two large squashy wells of comfort for herself and Giles to stand each side of the fireplace. The large chesterfield sofa was placed near the windows. For curtains Gwenda had chosen old-fashioned chintz of pale eggshell blue with prim urns of roses and yellow birds on them. The room, she now considered, was exactly right.
She was hardly settled yet, since she had workmen in the house still. They should have been out by now, but Gwenda rightly estimated that until she herself came into residence, they would not go.
The kitchen alterations were finished, the new bathrooms nearly so. For further decorating Gwenda was going to wait a while. She wanted time to savour her new home and decide on the exact colour schemes she wanted for the bedrooms. The house was really in very good order and there was no need to do everything at once.
In the kitchen a Mrs. Cocker was now installed, a lady of condescending graciousness, inclined to repulse Gwenda's over-democratic friendliness, but who, once Gwenda had been satisfactorily put in her place, was willing to unbend.
On this particular morning, Mrs. Cocker deposited a breakfast tray on Gwenda's knees, as she sat up in bed.
“When there's no gentleman in the house,” Mrs. Cocker affirmed, “a lady prefers her breakfast in bed.” And Gwenda had bowed to this supposedly English enactment.
“Scrambled this morning,” Mrs. Cocker observed, referring to the eggs. “You said something about finnan haddock, but you wouldn't like it in the bedroom. It leaves a smell. I'm giving it to you for your supper, creamed on toast.”
“Oh, thank you, Mrs. Cocker.”
Mrs. Cocker smiled graciously and prepared to withdraw.
Gwenda was not occupying the big double bedroom. That could wait until Giles returned. She had chosen instead the end room, the one with the rounded walls and the bow window. She felt thoroughly at home in it and happy.
Looking round her now, she exclaimed impulsively: “I do like this room.”
Mrs. Cocker looked round indulgently.
“It is quaite a naice room, madam, though small. By the bars on the window I should say it had been the nursery at one time.”
“I never thought of that. Perhaps it has.”
“Ah, well,” said Mrs. Cocker, with implication in her voice, and w
ithdrew.
“Once we have a gentleman in the house,” she seemed to be saying, “who knows? A nursery may be needed.”
Gwenda blushed. She looked round the room. A nursery? Yes, it would be a nice nursery. She began furnishing it in her mind. A big dolls' house there against the wall. And low cupboards with toys in them. A fire burning cheerfully in the grate and a tall guard round it with things airing on the rail. But not this hideous mustard wall. No, she would have a gay wallpaper. Something bright and cheerful. Little bunches of poppies alternating with bunches of cornflowers … Yes, that would be lovely. She'd try and find a wallpaper like that. She felt sure she had seen one somewhere.
One didn't need much furniture in the room. There were two built-in cupboards, but one of them, a corner one, was locked and the key lost. Indeed the whole thing had been painted over, so that it could not have been opened for many years. She must get the men to open it up before they left. As it was, she hadn't got room for all her clothes.
She felt more at home every day in Hillside. Hearing a throat being ponderously cleared and a short dry cough through the open window, she hurried over her breakfast. Foster, the temperamental jobbing gardener, who was not always reliable in his promises, must be here today as he had said he would be.
Gwenda bathed, dressed, put on a tweed skirt and a sweater and hurried out into the garden. Foster was at work outside the drawing room window. Gwenda's first action had been to get a path made down through the rockery at this point. Foster had been recalcitrant, pointing out that the forsythia would have to go and the weigela, and them there lilacs, but Gwenda had been adamant, and he was now almost enthusiastic about his task.
He greeted her with a chuckle.
“Looks like you're going back to old times, miss.” (He persisted in calling Gwenda “miss.”)
“Old times? How?”
Foster tapped with his spade.
“I come on the old steps—see, that's where they went—just as you want 'em now. Then someone planted them over and covered them up.”
“It was very stupid of them,” said Gwenda. “You want a vista down to the lawn and the sea from the drawing room window.”
Foster was somewhat hazy about a vista—but he gave a cautious and grudging assent.
“I don't say, mind you, that it won't be an improvement … Gives you a view—and them shrubs made it dark in the drawing room. Still they was growing a treat—never seen a healthier lot of forsythia. Lilacs isn't much, but them wiglers costs money—and mind you—they're too old to replant.”
“Oh, I know. But this is much, much nicer.”
“Well.” Foster scratched his head. “Maybe it is.”
“It's right,” said Gwenda, nodding her head. She asked suddenly, “Who lived here before the Hengraves? They weren't here very long, were they?”
“Matter of six years or so. Didn't belong. Afore them? The Miss Elworthys. Very churchy folk. Low church. Missions to the heathen. Once had a black clergyman staying here, they did. Four of 'em there was, and their brother—but he didn't get much of a look-in with all those women. Before them—now let me see, it was Mrs. Findeyson—ah! she was the real gentry, she was. She belonged. Was living here afore I was born.”
“Did she die here?” asked Gwenda.
“Died out in Egypt or some such place. But they brought her home. She's buried up to churchyard. She planted that magnolia and those labiurnams. And those pittispores. Fond of shrubs, she was.”
Foster continued: “Weren't none of those new houses built up along the hill then. Countrified, it was. No cinema then. And none of them new shops. Or that there parade on the front!” His tone held the disapproval of the aged for all innovations. “Changes,” he said with a snort. “Nothing but changes.”
“I suppose things are bound to change,” said Gwenda. “And after all there are lots of improvements nowadays, aren't there?”
“So they say. I ain't noticed them. Changes!” He gestured towards the macrocarpa hedge on the left through which the gleam of a building showed. “Used to be the cottage hospital, that used,” he said. “Nice place and handy. Then they goes and builds a great place near to a mile out of town. Twenty minutes' walk if you want to get there on a visiting day—or threepence on the bus.” He gestured once more towards the hedge … “It's a girls' school now. Moved in ten years ago. Changes all the time. People takes a house nowadays and lives in it ten or twelve years and then off they goes. Restless. What's the good of that? You can't do any proper planting unless you can look well ahead.”
Gwenda looked affectionately at the magnolia.
“Like Mrs. Findeyson,” she said.
“Ah. She was the proper kind. Come here as a bride, she did. Brought up her children and married them, buried her husband, had her grandchildren down in the summers, and took off in the end when she was nigh on eighty.”
Foster's tone held warm approval.
Gwenda went back into the house smiling a little.
She interviewed the workmen, and then returned to the drawing room where she sat down at the desk and wrote some letters. Amongst the correspondence that remained to be answered was a letter from some cousins of Giles who lived in London. Anytime she wanted to come to London they begged her to come and stay with them at their house in Chelsea.
Raymond West was a well-known (rather than popular) novelist and his wife Joan, Gwenda knew, was a painter. It would be fun to go and stay with them, though probably they would think she was a most terrible Philistine. Neither Giles nor I are a bit highbrow, reflected Gwenda.
A sonorous gong boomed pontifically from the hall. Surrounded by a great deal of carved and tortured black wood, the gong had been one of Giles's aunt's prized possessions. Mrs. Cocker herself appeared to derive distinct pleasure from sounding it and always gave full measure. Gwenda put her hands to her ears and got up.
She walked quickly across the drawing room to the wall by the far window and then brought herself up short with an exclamation of annoyance. It was the third time she'd done that. She always seemed to expect to be able to walk through solid wall into the dining room next door.
She went back across the room and out into the front hall and then round the angle of the drawing room wall and so along to the dining room. It was a long way round, and it would be annoying in winter, for the front hall was draughty and the only central heating was in the drawing room and dining room and two bedrooms upstairs.
I don't see, thought Gwenda to herself as she sat down at the charming Sheration dining table which she had just bought at vast expense in lieu of Aunt Lavender's massive square mahogany one, I don't see why I shouldn't have a doorway made through from the drawing room to the dining room. I'll talk to Mr. Sims about it when he comes this afternoon.
Mr. Sims was the builder and decorator, a persuasive middle-aged man with a husky voice and a little notebook which he always held at the ready, to jot down any expensive idea that might occur to his patrons.
Mr. Sims, when consulted, was keenly appreciative.
“Simplest thing in the world, Mrs. Reed—and a great improvement, if I may say so.”
“Would it be very expensive?” Gwenda was by now a little doubtful of Mr. Sims's assents and enthusiasms. There had been a little unpleasantness over various extras not included in Mr. Sims's original estimate.
“A mere trifle,” said Mr. Sims, his husky voice indulgent and reassuring. Gwenda looked more doubtful than ever. It was Mr. Sims's trifles that she had learnt to distrust. His straightforward estimates were studiously moderate.
“I'll tell you what, Mrs. Reed,” said Mr. Sims coaxingly, “I'll get Taylor to have a look when he's finished with the dressing room this afternoon, and then I can give you an exact idea. Depends what the wall's like.”
Gwenda assented. She wrote to Joan West thanking her for her invitation, but saying that she would not be leaving Dillmouth at present since she wanted to keep an eye on the workmen. Then she went out for a walk along the front and enjoyed the sea breeze. She came back into the drawing room, and Taylor, Mr. Sims's leading workman, straightened up from the corner and greeted her with a grin.
“Won't be no difficulty about this, Mrs. Reed,” he said. “Been a door here before, there has. Somebody as didn't want it has just had it plastered over.”
Gwenda was agreeably surprised. How extraordinary, she thought, that I've always seemed to feel there was a door there. She remembered the confident way she had walked to it at lunchtime. And remembering it, quite suddenly, she felt a tiny shiver of uneasiness. When you came to think of it, it was really rather odd … Why should she have felt so sure that there was a door there? There was no sign of it on the outside wall. How had she guessed—known—that there was a door just there? Of course it would be convenient to have a door through to the dining room, but why had she always gone so unerringly to that one particular spot? Anywhere on the dividing wall would have done equally well, but she had always gone automatically, thinking of other things, to the one place where a door had actually been.
I hope, thought Gwenda uneasily, that I'm not clairvoyant or anything….
There had never been anything in the least psychic about her. She wasn't that kind of person. Or was she? That path outside from the terrace down through the shrubbery to the lawn. Had she in some way known it was there when she was so insistent on having it made in that particular place?
Perhaps I am a bit psychic, thought Gwenda uneasily. Or is it something to do with the house?
Why had she asked Mrs. Hengrave that day if the house was haunted?
> It wasn't haunted! It was a darling house! There couldn't be anything wrong with the house. Why, Mrs. Hengrave had seemed quite surprised by the idea.
Or had there been a trace of reserve, of wariness, in her manner?
Good Heavens, I'm beginning to imagine things, thought Gwenda.
She brought her mind back with an effort to her discussion with Taylor.
“There's one other thing,” she added. “One of the cupboards in my room upstairs is stuck. I want to get it opened.”
The man came up with her and examined the door.
“It's been painted over more than once,” he said. “I'll get the men to get it open for you tomorrow if that will do.”
Gwenda acquiesced and Taylor went away.
That evening Gwenda felt jumpy and nervous. Sitting in the drawing room and trying to read, she was aware of every creak of the furniture. Once or twice she looked over her shoulder and shivered. She told herself repeatedly that there was nothing in the incident of the door and the path. They were just coincidences. In any case they were the result of plain common sense.
Without admitting it to herself, she felt nervous of going up to bed. When she finally got up and turned off the lights and opened the door into the hall, she found herself dreading to go up the stairs. She almost ran up them in her haste, hurried along the passage and opened the door of her room. Once inside she at once felt her fears calmed and appeased. She looked round the room affectionately. She felt safe in here, safe and happy. Yes, now she was here, she was safe. (Safe from what, you idiot? she asked herself.) She looked at her pyjamas spread out on the bed and her bedroom slippers below them.
Really, Gwenda, you might be six years old! You ought to have bunny shoes, with rabbits on them.
She got into bed with a sense of relief and was soon asleep.
The next morning she had various matters to see to in the town. When she came back it was lunchtime.
“The men have got the cupboard open in your bedroom, madam,” said Mrs. Cocker as she brought in the delicately fried sole, the mashed potatoes and the creamed carrots.
“Oh good,” said Gwenda.
She was hungry and enjoyed her lunch. After having coffee in the drawing room, she went upstairs to her bedroom. Crossing the room she pulled open the door of the corner cupboard.
Then she uttered a sudden frightened little cry and stood staring.
The inside of the cupboard revealed the original papering of the wall, which elsewhere had been done over in the yellowish wall paint. The room had once been gaily papered in a floral design, a design of little bunches of scarlet poppies alternating with bunches of blue cornflowers….
II
Gwenda stood there staring a long time, then she went shakily over to the bed and sat down on it.
Here she was in a house she had never been in before, in a country she had never visited—and only two days ago she had lain in bed imagining a paper for this very room—and the paper she had imagined corresponded exactly with the paper that had once hung on the walls.
Wild fragments of explanation whirled round in her head. Dunne, Experiment with Time—seeing forward instead of back….
She could explain the garden path and the connecting door as coincidence—but there couldn't be coincidence about this. You couldn't conceivably imagine a wallpaper of such a distinctive design and then find one exactly as you had imagined it … No, there was some explanation that eluded her and that—yes, frightened her. Every now and then she was seeing, not forward, but back—back to some former state of the house. Any moment she might see something more—something she didn't want to see … The house frightened her … But was it the house or herself? She didn't want to be one of those people who saw things….
She drew a long breath, put on her hat and coat and slipped quickly out of the house. At the post office she sent the following telegram:
West, 19 Addway Square Chelsea London. May I change my mind and come to you tomorrow Gwenda.
She sent it reply paid.
Three
“COVER HER FACE …”
Raymond West and his wife did all they could to make young Giles's wife feel welcome. It was not their fault that Gwenda found them secretly rather alarming. Raymond, with his odd appearance, rather like a pouncing raven, his sweep of hair and his sudden crescendos of quite incomprehensible conversation, left Gwenda round-eyed and nervous. Both he and Joan seemed to talk a language of their own. Gwenda had never been plunged in a highbrow atmosphere before and practically all its terms were strange.
“We've planned to take you to a show or two,” said Raymond whilst Gwenda was drinking gin and rather wishing she could have had a cup of tea after her journey.
Gwenda brightened up immediately.
“The Ballet tonight at Sadler's Wells, and tomorrow we've got a birthday party on for my quite incredible Aunt Jane—the Duchess of Malfi with Gielgud, and on Friday you simply must see They Walked without Feet. Translated from the Russian—absolutely the most significent piece of drama for the last twenty years. It's at the little Witmore Theatre.”
Gwenda expressed herself grateful for these plans for her entertainment. After all, when Giles came home, they would go together to the musical shows and all that. She flinched slightly at the prospect of They Walked without Feet, but supposed she might enjoy it—only the point about “significant” plays was that you usually didn't.
“You'll adore my Aunt Jane,” said Raymond. “She's what I should describe as a perfect Period Piece. Victorian to the core. All her dressing tables have their legs swathed in chintz. She lives in a village, the kind of village where nothing ever happens, exactly like a stagnant pond.”
“Something did happen there once,” his wife said drily.
“A mere drama of passion—crude—no subtlety to it.”
“You enjoyed it frightfully at the time,” Joan reminded him with a slight twinkle.
“I sometimes enjoy playing village cricket,” said Raymond, with dignity.
“Anyway, Aunt Jane distinguished herself over that murder.”
“Oh, she's no fool. She adores problems.”
“Problems?” said Gwenda, her mind flying to arithmetic.
Raymond waved a hand.
“Any kind of problem. Why the grocer's wife took her umbrella to the church social on a fine evening. Why a gill of pickled shrimps was found where it was. What happened to the Vicar's surplice. All grist to my Aunt Jane's mill. So if you've any problem in your life, put it to her, Gwenda. She'll tell you the answer.”
He laughed and Gwenda laughed too, but not very heartily. She was introduced to Aunt Jane, otherwise Miss Marple, on the following day. Miss Marple was an attractive old lady, tall and thin, with pink cheeks and blue eyes, and a gentle, rather fussy manner. Her blue eyes often had a little twinkle in them.
After an early dinner at which they drank Aunt Jane's health, they all went off to His Majesty's Theatre. Two extra men, an elderly artist and a young barrister were in the party. The elderly artist devoted himself to Gwenda and the young barrister divided his attentions between Joan and Miss Marple whose remarks he seemed to enjoy very much. At the theatre, however, this arrangement was reversed. Gwenda sat in the middle of the row between Raymond and the barrister.
The lights went down and the play began.
It was superbly acted and Gwenda enjoyed it very much. She had not seen very many first-rate theatrical productions.
The play drew to a close, came to that supreme moment of horror. The actor's voice came over the footlights filled with the tragedy of a warped and perverted mentality.
“Cover her face. Mine eyes dazzle, she died young….”
Gwenda screamed.
She sprang up from her seat, pushed blindly past the others out into the aisle, through the exit and up the stairs and so to the street. She did not stop, even then, but half walked, half ran, in a blind panic up the Haymarket.
/> It was not until she had reached Piccadilly that she noticed a free taxi cruising along, hailed it and, getting in, gave the address of the Chelsea house. With fumbling fingers she got out money, paid the taxi and went up the steps. The servant who let her in glanced at her in surprise.
“You've come back early, miss. Didn't you feel well?”
“I—no, yes—I—I felt faint.”
“Would you like anything, miss? Some brandy?”
“No, nothing. I'll go straight up to bed.”
She ran up the stairs to avoid further questions.
She pulled off her clothes, left them on the floor in a heap and got into bed. She lay there shivering, her heart pounding, her eyes staring at the ceiling.
She did not hear the sound of fresh arrivals downstairs, but after about five minutes the door opened and Miss Marple came in. She had two hot-water bottles tucked under her arm and a cup in her hand.
Gwenda sat up in bed, trying to stop her shivering.
“Oh, Miss Marple, I'm frightfully sorry. I don't know what—it was awful of me. Are they very annoyed with me?”
“Now don't worry, my dear child,” said Miss Marple. “Just tuck yourself up warmly with these hot-water bottles.”
“I don't really need a hot-water bottle.”
“Oh yes, you do. That's right. And now drink this cup of tea….”
It was hot and strong and far too full of sugar, but Gwenda drank it obediently. The shivering was less acute now.
“Just lie down now and go to sleep,” said Miss Marple. “You've had a shock, you know. We'll talk about it in the morning. Don't worry about anything. Just go to sleep.”
She drew the covers up, smiled, patted Gwenda and went out.
Downstairs Raymond was saying irritably to Joan: “What on earth was the matter with the girl? Did she feel ill, or what?”
“My dear Raymond, I don't know, she just screamed! I suppose the play was a bit too macabre for her.”
“Well, of course Webster is a bit grisly. But I shouldn't have thought—” He broke off as Miss Marple came into the room. “Is she all right?”
“Yes, I think so. She'd had a bad shock, you know.”
“Shock? Just seeing a Jacobean drama?”
“I think there must be a little more to it than that,” said Miss Marple thoughtfully.
Gwenda's breakfast was sent up to her. She drank some coffee and nibbled a little piece of toast. When she got up and came downstairs, Joan had gone to her studio, Raymond was shut up in his workroom and only Miss Marple was sitting by the window, which had a view over the river; she was busily engaged in knitting.
She looked up with a placid smile as Gwenda entered.
“Good morning, my dear. You're feeling better, I hope.”
“Oh yes, I'm quite all right. How I could make such an utter idiot of myself last night, I don't know. Are they—are they very mad with me?”
“Oh no, my dear. They quite understand.”
“Understand what?”
Miss Marple glanced up over her knitting.
“That you had a bad shock last night.” She added gently: “Hadn't you better tell me all about it?”
Gwenda walked restlessly up and down.
“I think I'd better go and see a psychiatrist or someone.”
“There are excellent mental specialists in London, of course. But are you sure it is necessary?”
“Well—I think I'm going mad … I must be going mad.”
An elderly parlourmaid entered the room with a telegram on a salver which she handed to Gwenda.
“The boy wants to know if there's an answer, ma'am?”
Gwenda tore it open. It had been retelegraphed on from Dillmouth. She stared at it for a moment or two uncomprehendingly, then screwed it into a ball.
“There's no answer,” she said mechanically.
The maid left the room.
“Not bad news, I hope, dear?”
“It's Giles—my husband. He's flying home. He'll be here in a week.”
Her voice was bewildered and miserable. Miss Marple gave a gentle little cough.
“Well—surely—that is very nice, isn't it?”
“Is it? When I'm not sure if I'm mad or not? If I'm mad I ought never to have married Giles. And the house and everything. I can't go back there. Oh, I don't know what to do.”
Miss Marple patted the sofa invitingly.
“Now suppose you sit down here, dear, and just tell me all about it.”
It was with a sense of relief that Gwenda accepted the invitation. She poured out the whole story, starting with her first view of Hillside and going onto the incidents that had first puzzled her and then worried her.
“And so I got rather frightened,” she ended. “And I thought I'd come up to London—get away from it all. Only, you see, I couldn't get away from it. It followed me. Last night—” she shut her eyes and gulped reminiscently.
“Last night?” prompted Miss Marple.
“I dare say you won't believe this,” said Gwenda, speaking very fast. “You'll think I'm hysterical or queer or something. It happened quite suddenly, right at the end. I'd enjoyed the play. I'd never thought once of the house. And then it came—out of the blue—when he said those words—”
She repeated in a low quivering voice: “Cover her face, mine eyes dazzle, she died young.
“I was back there—on the stairs, looking down on the hall through the banisters, and I saw her lying there. Sprawled out—dead. Her hair all golden and her face all—all blue! She was dead, strangled, and someone was saying those words in that same horrible gloating way—and I saw his hands—grey, wrinkled—not hands—monkey's paws … It was horrible, I tell you. She was dead….”
Miss Marple asked gently: “Who was dead?”
The answer came back quick and mechanical.
“Helen….”
Four
HELEN?
For a moment Gwenda stared at Miss Marple, then she pushed back the hair from her forehead.
“Why did I say that?” she said. “Why did I say Helen? I don't know any Helen!”
She dropped her hands with a gesture of despair.
“You see,” she said, “I'm mad! I imagine things! I go about seeing things that aren't there. First it was only wallpapers—but now it's dead bodies. So I'm getting worse.”
“Now don't rush to conclusions, my dear—”
“Or else it's the house. The house is haunted—or bewitched or something … I see things that have happened there—or else I see things that are going to happen there—and that would be worse. Perhaps a woman called Helen is going to be murdered there … Only I don't see if it's the house that's haunted why I should see these awful things when I am away from it. So I think really that it must be me that's going queer. And I'd better go and see a psychiatrist at once—this morning.”
“Well, of course, Gwenda dear, you can always do that when you've exhausted every other line of approach, but I always think myself that it's better to examine the simplest and most commonplace explanations first. Let me get the facts quite clear. There were three definite incidents that upset you. A path in the garden that had been planted over but that you felt was there, a door that had been bricked up, and a wallpaper which you imagined correctly and in detail without having seen it? Am I right?”
“Yes.”
“Well, the easiest, the most natural explanation would be that you had seen them before.”
“In another life, you mean?”
“Well no, dear. I meant in this life. I mean that they might be actual memories.”
“But I've never been in England until a month ago, Miss Marple.”
“You are quite sure of that, my dear?”
“Of course I'm sure. I've lived near Christchurch in New Zealand all my life.”
“Were you born there?”
“No, I was born in India. My father was a British Army officer. My mother died a year or two after I was born and he sent me back to her people in New Zealand to bring up. Then he himself died a few years later.”
“You don't remember coming from India to New Zealand?”
“Not really. I do remember, frightfully vaguely, being on a boat. A round window thing—a porthole, I suppose. And a man in white uniform with a red face and blue eyes, and a mark on his chin—a scar, I suppose. He used to toss me up in the air and I remember being half frightened and half loving it. But it's all very fragmentary.”
“Do you remember a nurse—or an ayah?”
“Not an ayah—Nannie. I remember Nannie because she stayed for some time—until I was five years old. She cut ducks out of paper. Yes, she was on the boat. She scolded me when I cried because the Captain kissed me and I didn't like his beard.”
“Now that's very interesting, dear, because you see you are mixing up two different voyages. In one, the Captain had a beard and in the other he had a red face and a scar on his chin.”
“Yes,” Gwenda considered, “I suppose I must be.”
“It seems possible to me,” said Miss Marple, “that when your mother died, your father brought you to England with him first, and that you actually lived at this house, Hillside. You've told me, you know, that the house felt like home to you as soon as you got inside it. And that room you chose to sleep in, it was probably your nursery—”
“It was a nursery. There were bars on the windows.”
“You see? It had this pretty gay paper of cornflowers and poppies. Children remember their nursery walls very well. I've always remembered the mauve irises on my nursery walls and yet I believe it was repapered when I was only three.”
“And that's why I thought at once of the toys, the dolls' house and the toy cupboards?”
“Yes. And the bathroom. The bath with the mahogany surround. You told me that you thought of sailing ducks in it as soon as you saw it.”
Gwenda said thoughtfully. “It's true that I seemed to know right away just where everything was—the kitchen and the linen cupboard. And tha
t I kept thinking there was a door through from the drawing room to the dining room. But surely it's quite impossible that I should come to England and actually buy the identical house I'd lived in long ago?”
“It's not impossible, my dear. It's just a very remarkable coincidence—and remarkable coincidences do happen. Your husband wanted a house on the south coast, you were looking for one, and you passed a house that stirred memories, and attracted you. It was the right size and a reasonable price and so you bought it. No, it's not too wildly improbable. Had the house been merely what is called (perhaps rightly) a haunted house, you would have reacted differently, I think. But you had no feeling of violence or repulsion except, so you have told me, at one very definite moment, and that was when you were just starting to come down the staircase and looking down into the hall.”
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破鏡謀殺案/大西洋案件/遲來的報復 The Mirror Crack'd from Side to Side/The Mirror Crack'd By 阿嘉莎‧克莉絲蒂 Dame Agatha Mary Clarissa Christie
Out flew the web and floated wide;
Out flew the web and floated wide;
目錄 (10)